Dr Alexandra Wilson (Oxford Brookes University) works on late 19th-century and early 20th-century opera, viewed within its critical, cultural and political contexts. Committed to sharing the findings of her research with a wider public, she has […]
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The ‘Instrument as a Research Tool’: Spotlight on Practice-led Research
Australian-born pianist Olivia Sham is an active recitalist in the UK. She recently completed her doctorate at the Royal Academy of Music and is continuing to explore the performance of […]
Read moreJournal of the Royal Musical Association Round Table: ‘Modernism and its Others’
We’re delighted to launch a new feature in collaboration with the Journal of the Royal Musical Association: a discussion board in response to the journal’s recently published round table, ‘Modernism and its Others’, […]
Read moreOpen Access and REF: What do they mean for us?
Her RSC2014 presentation on publishing in peer-reviewed journals was so popular people were literally sitting in the aisles! In this feature, the Editor of the Journal of the Royal Musical Association, Laura […]
Read moreUsing Social Media: A Graduate Music Student’s Perspective
Annabelle Lee is an MPhil/PhD student at Royal Holloway, University of London researching classical music concert marketing, particularly, social media marketing and marketing by concert organisations. In this blog post, Annabelle shares […]
Read moreRMA Research Students’ Conference 2014: A Report
Another year, another successful RMA Research Students’ Conference. Here Alexi Vellianitis (University of Oxford) gives his view on the event. Thanks Alexi! We’re already looking forward to RSC2015: Thursday 8 – Saturday […]
Read more‘Making and Writing about Music’: Spotlight on Practice-led Research
Dr Sean Williams is a Leverhulme Early Career Research Fellow at the Reid School of Music, University of Edinburgh. An active performer using live electronics, he is a founder member […]
Read moreLife Post-PhD: The View from Parentland
Dr Kate Maxwell works as a postdoctoral researcher in multimodality and cultural change for the University of Agder, Norway. Her project investigates the multimodal aspects of medieval manuscripts, particularly those […]
Read moreLife Post-PhD: On Expecting the Unexpected
Dr Lauren Redhead is a composer, sound artist, experimental organ performer, and musicologist. She is Lecturer in Music at Canterbury Christ Church University, and her AHRC-funded PhD was awarded by […]
Read moreA Week with the RMA Membership Development Officer
Ever wondered what happens behind the scenes of the RMA and the Student Committee? Our Membership Development Officer, Helen Thomas, shares a typical week with us. I don’t know […]
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